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"An excellent book that is needed by all who are interested in growing citrus in Florida or elsewhere."--Florida Garden Guide

"Filled with tips on growing Florida's claim to fame. . . . Can help anyone grow grapefruit, oranges, lemons, or limes."--Tampa Tribune

Whether you're responsible for acres of orange, tangerine, or grapefruit trees, or just grow limes and lemons in your backyard, Citrus Growing in Florida has been an indispensable guide for nearly fifty years. Now available in a fifth edition, this concise, comprehensive book combines the practical day-to-day aspects of citrus growing with underlying horticultural principles in a clear, easy to read style.

Authors Frederick Davies and Larry Jackson have a combined eighty years of experience with citrus culture and production, teaching, extension, and research. The revisions in this edition cover new regulations, new pests and diseases, and new issues in marketing and selling citrus.

For commercial growers, the book discusses planting, production, grove management, fertilization, spraying, and harvesting. For homeowners, it provides practical advice on growing the tart, tangy, sweet, and juicy fruits that define the flavor of the Sunshine State.

“A comprehensive guide and reference for both the large and small citrus grower throughout Florida and beyond. The publication provides up-to-date information on citrus varieties, nutrition, cultural/production practices, pests and historical information. . . .Will aid all producers in selecting production practices and understanding this major agricultural commodity in Florida.”--Stephen H. Futch, University of Florida

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• Sales Rank: #796416 in Books
• Brand: Brand: University Press of Florida
• Published on: 2009-11-22
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.00" w x 6.10" l, 1.35 pounds
• Binding: Hardcover
• 336 pages

Features

• Used Book in Good Condition

About the Author
Frederick S. Davies is professor of horticulture at the University of Florida, where he has taught for thirty years. Larry K. Jacksonis professor emeritus of horticultural sciences at the University of Florida, where he taught for thirty-two years. Both are active in the Florida citrus industry.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Excellent Book!
By Ariel I. (Beth)
Undoubtedly the work of masters. Davies and Jackson are known throughout the State of Florida as "the" citrus experts, and this book shows me why. They have put untold information, often scientific in nature, in easy to understand language. I only wanted to know why my two little citrus trees looked like they were crying, then, not only did this book give me my answer (and its solution), it proved to be so interesting that I've been reading it like a novel.

We are greatly blessed when such experts know how and are willing to put in the work to communicate their knowledge to all the rest of us. I can report my red navel orange has put out new, lush, healthy growth, and my little Satsuma has around 100 fruit on it--just coming into season. Wow. Thank you Frederick Davies and Larry Jackson. (Ariel I.)

2 of 2 people found the following review helpful.
Citrus Growing in Florida
By Bob Cook
Thorough. Exhaustive but easily readable. No other book covers this topic so well. Current information written by respected authorities. If you want to know how to grow one tree in your back yard or plant out 200 acres, you'll find the answers here.

0 of 0 people found the following review helpful.
Targets commercial growers
By DrDave
Good backround info for someone planting a tree or a grove in Florida. Good historical backround. Information on varieties, growth considerations, local topography are helpful.

See all 3 customer reviews...

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• Published on: 2013-04-30
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[Z340.Ebook] Download PDF The Import Bible Part 2: Source in China with confidence - The Professional Import Bible, by Manuel Becvar

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The first Import Bible showed you the basics of how to source in 64 pages full of straight forward, practical advice. The professional edition adds over 130 new pages to this and is constantly updated whenever things change.

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The Professional Import Bible puts the knowledge of someone who has experience sourcing in Asia for over 10 years at your fingertips.

• Sales Rank: #151848 in eBooks
• Published on: 2015-07-15
• Released on: 2015-07-15
• Format: Kindle eBook

Most helpful customer reviews

4 of 4 people found the following review helpful.
Read the books...and met the Author in China
By Michael Q.
After reading his beginner guide ebook, I knew I needed to read his professional version of The Import Bible.

And after reading his book, I was in China doing some product sourcing at the Canton Fair. I was such a big fan of the book that I had reached out to Manuel to let him know I was going to be in China and asked if he was around (I believe he lives in Hong Kong). Wow, was I impressed and pleased when he went out of his way to connect at the Canton Fair for coffee. I was even more impressed with his knowledge and helpful attitude.

The books is great. And the author is just as great.

1 of 1 people found the following review helpful.
If you read part 1 and found it valuable, you should read part 2
By DavidH
Good as a continuation of the original The Import Bible. Both were with my time and money.

0 of 0 people found the following review helpful.
Very informative
By Joshua
Great book with lots of resources. I would recommend this book to anyone who is looking into sourcing products from china.

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[U143.Ebook] Free PDF Analysis of Observational Health Care Data Using SAS, by Douglas Faries, Andrew C. Leon, Josep Maria Haro, Robert L. Obenchain

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This book guides researchers in performing and presenting high-quality analyses of all kinds of non-randomized studies, including analyses of observational studies, claims database analyses, assessment of registry data, survey data, pharmaco-economic data, and many more applications. The text is sufficiently detailed to provide not only general guidance, but to help the researcher through all of the standard issues that arise in such analyses. Just enough theory is included to allow the reader to understand the pros and cons of alternative approaches and when to use each method. The numerous contributors to this book illustrate, via real-world numerical examples and SAS code, appropriate implementations of alternative methods. The end result is that researchers will learn how to present high-quality and transparent analyses that will lead to fair and objective decisions from observational data.

• Sales Rank: #882584 in Books
• Brand: Brand: SAS Institute
• Published on: 2010-02-26
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x 1.02" w x 8.25" l, 2.25 pounds
• Binding: Perfect Paperback
• 452 pages

Features

• Used Book in Good Condition

Review
"Analysis of Observation Health Care Data Using SAS should be a required reference book available to health outcomes, economics, and epidemiology researchers at all levels, whether they are graduate students or experienced analysts. It contains much practical wisdom; describes the techniques, standards, and pitfalls of analyzing real world data; as well as provides actual computer code that should be immediately useful to analysts of 'real world' health care data. It even has references to publications that have applied such methods. This is a long awaited and much needed book, and I am hopeful that it will serve as a general guidance to improve the quality of research using observational data." --Howard G. Birnbaum, PhD, Principal, Analysis Group, Inc.

"This book, which is a collection of articles by experts, serves a vital need for a good general book on the subject of observational studies in medicine. The randomized control trial is not the only method of analysis, but observational studies have their special problems. This book concentrates on method such as propensity scoring and instrumental variables, pointing out the advantages and disadvantages of each. The technical level varies from chapter to chapter, but is generally fairly accessible. The chapters all have extensive references, and each has copious SAS code, with comments and output, to illustrate key ideas. If you analyze observational data in the medical field, you will want this book." --Peter Flom, Independent Statistical Consultant, Peter Flom Consulting, LLC

About the Author
Douglas E. Faries is Senior Research Advisor at Lilly USA, where he oversees statistical design and analysis support for Health Outcomes Research. A SAS user for more than 20 years, he received his Ph.D. in Statistics from Oklahoma State University and his M.S. in Mathematics from Western Illinois University.

Andrew C. Leon is Professor of Public Health and of Biostatistics in Psychiatry at Weill Cornell Medical College in New York City. A SAS user since 1982, he received his Ph.D. in Educational Psychology from City University in New York.

Josep Maria Haro is Director of the Saint John of God Research and Teaching Foundation in Barcelona, Spain. He earned an M.D. from the University of Barcelona, a Master's in Public Health from Johns Hopkins University, and a Ph.D. from University Autonoma in Barcelona. He has been a SAS user since 1990.

Robert L. Obenchain is Principal Consultant at Risk Benefit Statistics LLC in Carmel, Indiana; Research Fellow at the National Institute of Statistical Sciences in Research Triangle Park, North Carolina; and Adjunct Professor in Biostatistics at Indiana University Medical School in Indianapolis, Indiana. A SAS user since 1986, he received his Ph.D. in Mathematical Statistics from the University of North Carolina at Chapel Hill

Most helpful customer reviews

2 of 2 people found the following review helpful.
Adequate analysis text, but SAS does not belong in the title.
By Keith Carnes
This book would serve as a reasonable text for a class on retrospective health data analysis but is woefully short of meaningful programming instructions to support the subject matter. Plus, the code that is offered is frequently cluttered with print formatting instructions that have nothing to do with the content the book should be delivering.

5 of 6 people found the following review helpful.
Really great book!
By anonymous
I am a masters level epidemiology/biostatistics data analyst and I took a job with a pharmaceutical company doing health claims analyses that are mostly focused on pharmacoepidemiology and health economics. I did not have any specific experience with these types of analyses and this book was a great introduction! Like another reviewer mentioned, it is focused heavily on propensity scores. Each chapter has an applied example and includes all or most of the SAS code required to do the analysis. The chapters are very focused on application and not too too much on the theoretical (as many stats books tend to be). There are sections on claims analysis and pharmacoeconomic analyses, such as cost-effectiveness and incremental net benefit analysis.

As far as the level of understanding, this book does assume a biostats and SAS foundation. I thought the authors did a great job at making the book fairly easily comprehended by a masters level biostats person like myself, even though many of these analytic methods are beyond what was explicitly covered in my coursework. I just mention this because I am sometimes unsure about the level of knowledge assumed by these books before purchasing them (you really can't tell by reading a sample of the first chapter, which is almost always extremely introductory!). I have been disappointed by some other SAS publications (eg, healthcare data analysis & SAS) that turn out to be way below my level of understanding and I don't come out with much new, useful knowledge.

GREAT, GREAT BOOK! I have already recommended it to some of my colleagues.

0 of 1 people found the following review helpful.
Really useful and practical
By Sophia
This book was really invaluable in walking me through doing a propensity score analysis. The writing was clear and enjoyable to read, and the sample code was complete and all I needed to get through my analysis. I have about a year's worth of graduate level biostatistics/clinical research training, and would count myself as advanced beginner in SAS, and this book was easily understandable with my level of background. The examples are really useful and relevant to the medical field, and complete! For example,not only do they cover many different methods of propensity score calculation and matching, they then go on to cover all the different types of analyses you can do AFTER you've calculated and matched on your propensity score (e.g., not just how to incorporate propensity scores into logistic regression analyses, but also cox proportional hazards, kaplan-meier curves, etc.) so that you aren't left hanging.
This book achieves that rare balance between readability/accessibility, ease of finding exactly what you want, and completeness.

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[A943.Ebook] Ebook Free The Theatre of E. E. Cummings, by E. E. Cummings

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The complete collection of E. E. Cummings’s writing for the stage, from the most inventive poet of the twentieth century.

The Theatre of E. E. Cummings collects in their entirety Cummings’s long out-of-print theatrical works: the plays HIM (1927), Anthropos (1930), and Santa Claus (1946), and the ballet treatment Tom (1935). In HIM, a creatively blocked artist and his lover, Me, struggle to bridge the impasse in their relationship and in his art. In Anthropos, a Platonic parable, three “infrahumans” brainstorm slogans while a man sketches on a cave wall; and in Santa Claus, Death and Saint Nick exchange identities. Harriet Beecher Stowe’s Uncle Tom’s Cabin is reimagined as dance, transforming the novel into a symbolic attack against Evil itself. Cummings’s prodigious creativity is on display in each of these works, which are ultimately about the place of the artist outside of society. “DON’T TRY TO UNDERSTAND IT, LET IT TRY TO UNDERSTAND YOU,” Cummings famously wrote about his intentions for the stage. Thoughtful and witty, Cummings’s dramas are an integral part of his canon.

• Sales Rank: #191136 in Books
• Published on: 2013-01-07
• Original language: English
• Number of items: 1
• Dimensions: 8.60" h x .80" w x 5.90" l, .79 pounds
• Binding: Hardcover
• 224 pages

About the Author
E. E. Cummings (1894–1962) was among the most influential, widely read, and revered modernist poets. He was also a playwright, a painter, and a writer of prose. Born in Cambridge, Massachusetts, he studied at Harvard University and, during World War I, served with an ambulance corps in France. He spent three months in a French detention camp and subsequently wrote The Enormous Room, a highly acclaimed criticism of World War I. After the war, Cummings returned to the States and published his first collection of poetry, Tulips & Chimneys, which was characterized by his innovative style: pushing the boundaries of language and form while discussing love, nature, and war with sensuousness and glee. He spent the rest of his life painting, writing poetry, and enjoying widespread popularity and success.

Norman Friedman is an emeritus professor of English at Queens College.

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0 of 0 people found the following review helpful.
Five Stars
By paul pirate
The four stage works gathered together. Essential for Cummings readers.

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[O233.Ebook] Ebook Free The Reel Truth: Everything You Didn't Know You Need to Know About Making an Independent Film, by Reed Martin

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Did you know that most of the biggest indie filmmakers, screenwriters, and producers working today each made the same avoidable mistakes early on in their careers?

The Reel Truth details the pitfalls, snares, and roadblocks that aspiring filmmakers encounter. Reed Martin interviewed more than one hundred luminaries from the independent film world to discuss the near misses that almost derailed their first and second films and identify the close shaves that could have cut their careers short. Other books may tell you the best way to make your independent film or online short, but no other book describes so candidly how to spot and avoid such issues and obstacles as equipment problems, shooting-day snafus, postproduction myths, theatrical distribution deal breakers, and dozens of other commonly made missteps, including the top fifty mistakes every filmmaker makes.

From personal experience and his years as a freelance reporter covering independent film for USA Today and Filmmaker magazine, Martin uncovers the truth about the risks and potential rewards that go with chasing celluloid glory. Whether you're writing a screenplay, looking for financing, about to start shooting, or thinking about investing time and money (or someone else's money) in an independent film, The Reel Truth is a must-read.

• Sales Rank: #313339 in Books
• Brand: Brand: Faber Faber
• Published on: 2009-04-28
• Released on: 2009-04-28
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x 1.22" w x 5.50" l, 1.04 pounds
• Binding: Paperback
• 544 pages

Features

• Used Book in Good Condition

From Publishers Weekly
Film marketer and business professor Martin has created a step-by-step guide on how to make an indie film and includes stories from and about such industry insiders as producer Christine Vachon and directors Doug Liman and Kimberly Peirce. Martin covers everything from raising money to distribution, while including invaluable details such as the average cost of a soundtrack song (about $15,000, but $500,000 if it's the Rolling Stones) or the price of renting a New York City theater for a one-week run ($10,000–$50,000). Using current examples like the trial and tribulations of Sideways director Alexander Payne or the financing behind Swingers, Martin dispenses practical advice culled from real-life indie hits and misses that is both inspiring and cautionary. For certain technical information (sample budget breakdowns and representation contracts), Martin includes a solid appendix in what is ultimately an informative and very entertaining account of the indie film for would-be independent filmmakers and producers. (Jan.)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

“This is an amazingly well-researched and accurate chronicle of independent filmmaking. I learned so much--things I wish I'd known when I was in the middle of it all myself. It is hard sometimes to make filmmaking advice flow with dramatic interest, but Reed Martin keeps it clear, eloquent, and fresh. I would definitely suggest The Reel Truth to aspiring filmmakers--it would make a great textbook--and I am personally looking forward to the next volume, especially now.” ―Tom DiCillo, director of Living in Oblivion, Johnny Suede, Delirious, and When You're Strange

“The Reel Truth is definitely a book every filmmaker should read. Reed Martin does a great job of covering everything from first-timer mistakes to new paths in distribution and gets some really great advice from leading producers, distributors, writers--pretty much everyone.” ―Brian Newman, CEO, Tribeca Film Institute

“Reed Martin has written a production guide filled with indispensible information and enlightening anecdotes. The novice filmmaker can learn something by opening to any page in The Reel Truth.” ―Mark Pogachefsky, President MPRM Communications

“[Martin] interviewed Danny Boyle, Christine Vachon, Doug Liman, Barbara Kopple, Alexander Payne, Darren Aronofsky, and Werner Herzog along with dozens of indie film execs. He says he asked everyone two questions: ‘What's the worst advice you ever got?' and ‘What do you wish somebody had told you that would have saved you a lot of trouble?' . . . Martin peppers The Reel Truth's tales of woe with inspirational stories about tough-minded auteurs who refuse to give up.'” ―Hugh Hart, The San Francisco Chronicle

“The road to making an indie film can seem more like the stations of the cross at times. Reed Martin's The Reel Truth is the gospel telling of a journey that many martyrs have taken before. Bring it with you for inspiration, and as a reminder that any movie that gets made is a miracle.” ―Matt Tyrnauer, director/producer, Valentino: The Last Emperor

“Reed Martin's The Reel Truth is not only a terrific guide for aspiring filmmakers and a modern textbook for film school students everywhere. The advice and anecdotes in the chapters covering production, marketing, distribution, and online exhibition are useful for working filmmakers as well. For anyone hoping to make a successful independent film--especially in today's hyper-competitive environment--The Reel Truth is required reading.” ―Miguel Arteta, director, Youth in Revolt, and The Good Girl

“A brilliant how-to manual for tackling and mastering the industry.” ―Anthony Bregman, producer of Eternal Sunshine of the Spotless Mind

“This book is indispensable.” ―Tom Bernard, Copresident, Sony Pictures Classics

“The path to the premiere and beyond of any feature film is a minefield. With The Reel Truth, Reed Martin has given new filmmakers the battalion of bomb detectors necessary for survival.” ―Ted Hope, producer of The Ice Storm

“Reed Martin has created a smart, engaging read that is also one of the most comprehensive and cutting-edge looks at the changing face of independent-film production and distribution today. This is the one book I would call essential for anyone who really wants to make a career out of filmmaking.” ―Drew McWeeny, aka Moriarty, Ain't It Cool News

“Packed with practical advice and anecdotes from successful indie icons, Reed has written a guidebook essential for any aspiring filmmaker.” ―Tom Ortenberg, President of Theatrical Films, The Weinstein Company

“The most up-to-date guide readers could want…No one who embarks on a feature of his or her own after reading The Reel Truth can say he or she has not been warned--and, more important, not been prepared.” ―Jim Hemphill, American Cinematographer Magazine

“A must-have manual of knowledge and entertainment for beginning and experienced filmmakers...To not have this information is like scuba diving by yourself, skydiving without packing your own parachute...why risk it?” ―Chris Eyre, director of Smoke Signals

“What's great about The Reel Truth isn't simply its usefulness, but its thoroughness...Martin's invaluable book will help you navigate the treacherous terrain of the modern independent film scene.” ―Chris Bolton Powells.com

“An invaluable resource for those striking out on their own…From production, post-production, marketing and distribution, the book also covers such areas as dealing with music licensing, investors, script theft and securing legal help. However, it is Martin's personal interviews with leading directors, writers, producers and studio executives that offers "The Reel Truth" an extra layer of validity and insight to make it a true "insider's guide.” ―Jorge Carreon, Examiner.com (Los Angeles)

“Making a movie, be it a five-minute short or a two-hour feature, takes more than vision. In his witty and addictively readable book The Reel Truth, author Reed Martin provides 500 pages of how-to advice for would-be De Palmas--everything from financing to casting, scoring to marketing--and backs it up with cautionary anecdotes and tips from famous directors.” ―Rene Rodriguez, The Miami Herald

“Reed Martin interviews some of the brightest minds in independent cinema, including Danny Boyle ("Slumdog Millionaire") and Christopher Nolan ("Memento"), for riveting first-person accounts of their own success stories as well as the moments when their careers could have ended right then and there if they opted to give up …More importantly, Martin offers practical lessons for those still dedicated enough to want to make a film” ―Christian Toto, Examiner.com (Denver)

About the Author

Reed Martin has taught film finance and marketing at a variety of institutions, including NYU's Stern School of Business and Columbia Business School, and is the former director of marketing at Cary Woods's Independent Pictures.

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1 of 1 people found the following review helpful.
No other film book prepares you so thoroughly for the ...
By Adam
No other film book prepares you so thoroughly for the dark side of Hollywood. This book is insurance. Read it carefully before entering. Its advice is timeless.

1 of 2 people found the following review helpful.
Real Nonsense
By ShaunSanders
I was sorely disappointed with this book, despite the many glowing reviews it seems to have garnered. Primarily, my disappointment stems from the book's dumbing-down of almost every aspect it covers. For example, did you know you should turn your phone off when working on a film set? Organizationally, the book rambles within chapters, repeats itself frequently, and is often unclear in its introduction of source material, thus leading to reader-exhaustion pretty quickly.

I stopped taking the book seriously after reading the chapter titled, "The Nightmare of Story and Screenplay Theft," in which I'm told that less than 1% of lawsuits are successful and that there are many, many ways budding screenwriters can expect to be ripped off within their lifetimes - screenplay and story theft is apparently rampant. Okay, so, be afraid, be very afraid.

To alleviate our fears, the author suggests we never give our screenplays to anyone in the business without having official agency representation and a signed contract with the recipient, no matter who they are or where we experience opportunity. There's a problem with this thinking, though. We all know there's usually no official representation offered to untested writers, so this advice leaves the writer precisely nowhere. To avoid the fate of having our screenplays languish in obscurity, the author suggests - and I'm not making this up - that we quickly turn them into novels and sell them that way first.

I'm speechless. This guy seems clueless about the writer's life. Or the creative process. In addition, he ignores that Hollywood is built on happenstance and casual connection, and that one of the few ways a newbie writer might get lucky is to have someone read their script who's connected. "Um, excuse me Ms. Famous Actress, thanks for letting me mow your enormous lawn. Could you please read my script? But first, sign here, here, and here, then call my non-existent agent and sign a contract with him too."

But the real clincher comes at the end of the chapter. As a parting shot, the author quotes M.L. King and suggests that we take a leaf from King's philosophy to fight the good fight because "those who remain silent in the face of injustice become party to that injustice" (MLK). I guess meaning that if I get ripped off and don't file a lawsuit, I'm aiding and abetting rip-off artists. This, right after telling me in great detail that I don't stand a snowball's chance in Hell. But what really offends me is the author's complete misinterpretation of MLK's great message - King wasn't teaching Business 101. Get a clue.

I don't know whether to resell this book to cut my losses - which feels morally reprehensible, somehow - or simply throw it in the trash to minimize it's ability to do damage elsewhere. I think I'll take a cue from M.L. King and toss it.

21 of 21 people found the following review helpful.
WITHOUT QUESTION THE BEST BOOK EVER PUBLISHED ON INDIE FILMMAKING
By Mike
Reed Martin's "The Reel Truth" is without question the best book on the subject of Indie Filmmaking ever published. It reads like a well-written and fast paced novel and yet gets down in the weeds of the actual pitfalls (ex: forming an LLC to avoid being vulnerable in the future to lawsuits, the mishandling of data cards in a rush to see the dailies which leads to digital drop-outs, and the always overlooked importance of good sound recording - as Danny Boyle points out in the book, good sound is probably the most important aspect of indie filmmaking) and details brilliantly all the aspects of creating, funding, releasing, and marketing an independent film.

Without this book I have no idea how much more painful the experience would have been - as I have just completed an indie film and am taking it to film festivals. I have used it like a roadmap, and it was the best twenty dollars I could have spent. A tool as essential as any piece of film equipment (even the appendixes in the back of the book which contain sample in-depth budgets and contracts are great). It was required reading for each producer and the director because we felt there was so much to digest reading it that we would all be better off have gone through the book individually and highlighted it.

Although I enjoyed the other known works on the subject ("I Wake Up Screening", "Spike, Mike, Slackers, & Dykes", and "Down and Dirty Pictures"), I felt none compared, or - more importantly - were as relevant as the recently published "The Reel Truth". Nor did the other books really elucidate with clarity all the overwhelming aspects an indie film producer, director, or screenwriter faces. Really no comparasion. This book stresses Strategy, which I have found out personally is of vital importance when marketing your finished film(no coincidence that the author also taught at some of the best business schools in the country). There is even a seperate chapter on documentary films and the newly emerging markets and strategy that are now available for a doc filmmaker to make a great film - and a profit.

The chapter on legal issues in "The Reel Truth" is alone worth the price of the book; for example, don't just have your college buddy who is a lawyer to look over the contract, rather hire a professional who knows all the deal points and ways to structure the contract that protects the filmmakers in the event of either failure or succuess. Which is not to mention the other fine legal points of knowing what you can and can't shoot - because there is nothing worse as the book points out as having to cut your favorite scene in post because you didn't legally clear something. Nor have I encountered a book yet that has dived into the horribly prevalent state of screenplay theft; example being: How attending screenplay pitch-fests where you tell your ideas and script beats to a room full of professional producers and fellow screenwriters undercuts any claim you might have since you are freely disclosing your ideas without any expectation of compensation.

Indeed, my one worry before reading the book was that since the book was published in 2009, it might not be relevant to making a film in 2011/2012. I couldn't have been more wrong. The book feels like the author wrote it for the 2012 indie film market. For example, he especially examines with a microscope the ever-changing world of Indie film and the new ways to market and distribute your film on Amazon's CreateSpace and Youtube. Do yourself a favor: pay $16 dollars and save yourself a lifetime of heartache and suffering while making your first or second indie film! As the book points out -if there is one constant theme: IT CAN'T BE FIXED IN POST-PRODUCTION. So if you already have the talent and love of film, this book will be more important to you than any MFA a film school could ever provide you.

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[U578.Ebook] Ebook The Art of Vase-Painting in Classical Athens, by Martin Robertson

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In this book, Professor Martin Robertson, author of A History of Greek Art (CUP 1975) and A Shorter History of Greek Art (CUP 1981), draws together the results of a lifetime's study of Greek vase-painting, tracing the history of figure-drawing on Athenian pottery from the invention of the "red-figure" technique in the later archaic period to the abandonment of figured vase-decoration two hundred years later. The book covers red-figure and also work produced over the same period in the same workshops in black-figure and other techniques, especially that of drawing in outline on a white ground. This book is a major contribution to the history of Greek vase-painting and anyone seriously interested in the subject--whether scholar, student, curator, collector or amateur--will find it essential reading.

• Sales Rank: #1418178 in Books
• Brand: Brand: Cambridge University Press
• Published on: 1994-01-28
• Original language: English
• Number of items: 1
• Dimensions: 10.87" h x .75" w x 8.62" l, 1.80 pounds
• Binding: Paperback
• 364 pages

Features

• Used Book in Good Condition

Review
"...a clear and enjoyable style. Robertson's life-long experience in the field of Greek art brings authority and depth to the study. The significant themes, for instance, are discussed in the light of a vast knowledge of Greek mythology, history, and culture." Religious Studies Review

"...a thorough, sober, yet critical, and very scholarly work which will provide hours of learned company for the specialist art historian, and from which the nonspecialist reader can derive extensive information and great enjoyment." Birgitte Ginge, Classical World

From the Back Cover
In this book, Professor Martin Robertson draws together the results of a lifetime's study of Greek vase-painting, tracing the history of figure-drawing on Athenian pottery from the invention of the 'red-figure' technique in the later archaic period to the abandonment of figured vase-decoration two hundred years later. The book covers red-figure and also work produces over the same period in the same workshops in black-figure and other techniques, especially that of drawing in outline on a white ground.

Most helpful customer reviews

9 of 9 people found the following review helpful.
Excellent overview
By winfred van de put
This book has a slightly deceptive title: the period discussed is larger (as it includes the late archaic as well, 530-480, seen as the pinnacle of the 'art' of Athenian vase-painting) and it is mainly limited to the red-figure technique. It has been written by an very knowledgeable scholar, who has at close hand witnessed the development of the study of vase-painting over the last half century and who has managed to keep an open mind. This results in a highly readable account of the development of this important witness to the painting and drawing skills of this important period, which defined the way we see 'classical'.
The open mind results in the incorporation and open yet critical assessment of many of the latest insights, such as the chronological debate initiated by Vickers and Francis. Nowhere one gets the impression the author is copying a text he hasn't carefully considered himself, and his criticism is always careful and constructive.
Some criticism could be made as regards the scope of the study: matters like use, trade, production or the lesser painters get little or no attention. This is a conscious choice of the author, as expressed in the title ('art'); many in archaeology may find this an outdated approach. As long as there are 300 pages packed with useful information I'm not complaining.
Another point of criticism could be the lack of clear dates. In my view, the framework of red-figure vasepainting, also through studies like Oakley's Phiale Painter and Achilles Painter and the work of Lezzi-Hafter on the Eretria Painter and the Shuvalov Painter, to mention only two prominent scholars, makes it possible to date nearly any red-figure vase within 10 years. Robertson consciously avoids this, which is a pity because it clarifies chronological relations between different painters. But this is a minor point.
For specialists in the field (to whom I reckon myself) it is a helpful overview, for the beginner it may be slightly overwhelming. Illustrations, although there are 300 of them, do not sufficiently illuminate the wealth of the material and the book is best enjoyed alongside, or after reading Boardman's lavishly illustrated histories of Attic Red Figure in the Thames and Hudson series.

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