Friday, August 24, 2012

[L955.Ebook] Ebook Free The Bigness of the World: Stories, by Lori Ostlund

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The Bigness of the World: Stories, by Lori Ostlund

Winner of the Flannery O’Connor Prize, the Edmund White Award, and the California Book Award, Lori Ostlund’s “heartbreaking and wonderful” (Pulitzer Prize–winning author Richard Russo) debut collection of stories about men and women confronting the unmapped and unexpected.

In Lori Ostlund’s award-winning debut collection, people seeking escape from situations at home venture out into a world that they find is just as complicated and troubled as the one they left behind.

In prose highlighted by both satire and poignant observation, The Bigness of the World contains characters that represent a different sort of everyman—men and women who poke fun at ideological rigidity while holding fast to good grammar and manners, people seeking connections in a world that seems increasingly foreign. In “Upon Completion of Baldness,” a young woman shaves her head for a part in a movie in Hong Kong that will help her escape life with her lover in Albuquerque. In “All Boy,” a young logophile encounters the limits of language when he finds he prefers the comfort of a dark closet over the struggle to make friends at school. In “Dr. Deneau’s Punishment,” a math teacher leaving New York for Minnesota as a means of punishing himself engages in an unsettling method of discipline. In “Bed Death,” a couple travels Malaysia to teach only to find their relationship crumbling as they are accepted in their new environment. And in “Idyllic Little Bali,” a group of Americans gather around a pool in Java to discuss their brushes with fame and end up witnessing a man’s fatal flight from his wife.

“Ostlund constantly delights the reader with the subtlety of her insights as well as the carefulness of her prose” (San Francisco Chronicle), revealing that wherever you are in the world, where you came from is never far away. “Each piece is sublime” (Publishers Weekly, starred review).

  • Sales Rank: #747174 in Books
  • Published on: 2016-02-16
  • Released on: 2016-02-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.37" h x .20" w x 5.50" l, .0 pounds
  • Binding: Paperback
  • 272 pages

From Publishers Weekly
Starred Review. Ostlund's remarkable debut collection deftly navigates the treacherous shoals of decaying relationships in which the protagonists often escape to faraway lands in order to find themselves, or, at the very least, their partners. Fate, for the globe-trotting teacher-entrepreneur of And Down We Went, takes the form of an untimely bird dropping; in Bed Death, it is a Malay waitress who casually takes a sip of orange juice from the narrator's glass. Ostlund's artful prose is playfully complex and illuminating, evocative and unsentimental, as in Upon the Completion of Baldness, in which the narrator's girlfriend returns home from a trip completely bald. Remarks the narrator, the chilly desert air seemed to startle her as though, in that moment, she realized that there was a price to be paid for having no hair, and while I still said nothing, I was happy to see her suffer just a bit. A specific disenchantment inhabits these stories—the disenchantment of the uncompromising romantic confronted with the evaporative nature of love. Each piece is sublime. (Oct.)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
� "There is no book I am happier to see getting a second life."
(Roxane Gay, author of Bad Feminist and An Untamed State)

�“The world is both terrifyingly huge and unbelievably small for the cast of characters in this debut collection from Ostlund…But despite these stories' pervasive, powerful sadness, which always requires reflection and pause at each of their closings, their flawless execution—all tenderness, dark humor, and full realization—compels the reader onward. Ostlund will certainly soon be marking her place among writers like Michelle Huneven, Shirley Jackson, Alice Munro, Dorothy Allison, and Karen Joy Fowler—masters of their own devastating, immersive universes. An achingly beautiful collection as unpredictable and resonant as life itself.”
(Kirkus Reviews, starred review)

“Ostlund’s remarkable debut collection deftly navigates the treacherous shoals of decaying relationships in which the protagonists often escape to faraway lands in order to find themselves, or, at the very least, their partners...Ostlund’s artful prose is playfully complex and illuminating, evocative and unsentimental…Each piece is sublime.” (Publishers Weekly, starred review)

“The Bigness of the World�brings to mind the work of Flannery O'Connor and other Southern Gothic writers such as William Faulkner, Truman Capote and Carson McCullers...Like O'Connor, Ostlund enables us to step back from everyday life's banalities and see how completely we are estranged from each other—and connected to each other.” (Star Tribune)

“The Bigness of the World is simply a stunning collection—every story jewel-crafted and resonant…This is a book to remake our imaginary landscape—the kind of book I not only recommend, I advocate. Read this, I want to tell people. You need these stories. You do.”
(Dorothy Allison, author of Bastard Out of Carolina and Trash)


“Ostlund wields language in terribly complex ways building exceptional sentences, long and swollen with nuance and history, creating narratives that take the long way around. Each story holds a certain very smart wit that endears.”
(Roxane Gay, Pank)

"Ostlund, whose work has been included in the Best American and also PEN/O. Henry Prize Stories, is a writer to watch. She constantly delights the reader with the subtlety of her insights as well as the carefulness of her prose, as we find that beneath the comic observations of cultural misunderstanding, or a couple's quirky habits, lies a genuine melancholy—and the sense that while there is absurdity in reticence, there is sadness in it too."
(San Francisco Chronicle)

From the Inside Flap
In Lori Ostlund's debut collection people seeking escape from situations at home venture out into a world that they find is just as complicated and troubled as the one they left behind.

In prose highlighted by both satire and poignant observation, Ostlund offers characters that represent a different sort of everyman--men and women who poke fun at ideological rigidity while holding fast to good grammar and manners, people seeking connections in a world that seems increasingly foreign. In "Upon Completion of Baldness" a young woman shaves her head for a part in a movie in Hong Kong that will help her escape life with her lover in Albuquerque. The precocious narrator of "All Boy" finds comfort when he is locked in a closet by a babysitter. In "Dr. Deneau's Punishment" a math teacher leaving New York for Minnesota as a means of punishing himself engages in an unsettling method of discipline. A lesbian couple whose relationship is disintegrating flees to the Moroccan desert in "The Children beneath the Seat." And in "Idyllic Little Bali" a group of Americans gather around a pool in Java to discuss their brushes with fame and end up witnessing a man's fatal flight from his wife.

In the eleven stories in The Bigness of the World we see that wherever you are in the world, where you came from is never far away.

Most helpful customer reviews

3 of 3 people found the following review helpful.
a maze...
By Amazon Customer
i'm somewhat disappointed. not in the writing itself, that is exemplary; the level of introspection of the characters & their interactions with each other and the world around them are masterful. & not in the subject matter, as i had no qualms with reading about Minnesota (i've never been, save through this work) or teachers (specifically english teachers) or older lesbian couples in deteriorating relationships. my disappointment lies in the fact that these characters occupy the same space in every story, the same POV, the same irritations & foibles. that despite the title of the collection, i felt in no way that i'd traveled anywhere further than the first couple of stories, that i'd been moved to a different space or been reading about a variety of characters. similar scenes, similar feelings, similar outlooks permeated every story to the point where i felt i'd reread the exact same story by the end of each, which has a feeling of being in a maze and running hopefully down a corridor for an exit, only to come to a dead end. the foreign characters could've been lumped into the same collective whole, with the same collectively strange mysteriousness about them, that they became nothing more than ornamental macguffins to the overall thrust of the stories, which served to go against the title and premise of the work.

alone, the stories are without peer. but as a collection, i cannot fully recommend it. this is an award winning collection, so i expected much more variety in stories while retaining an overall cohesiveness. but this was cohesive to the point of nigh repetition. & while it's pretty much a given that a writer will dutifully "write what they know" when it's this obvious that these stories reflect the author's own experiences, it becomes less like a work of art & more like a regurgitation of her own daily life & experiences. also, & this observation doesn't just limit itself to this author, i cannot understand why academics choose to write mainly about aspects of academia. wouldn't a writer want to write as broad a message as possible, with characters from different walks of life? that you're a writer who is enamored of the english language is obvious in the fluidity and choosing of your words. but to actually create characters that are also writers who delight in the english language? why would an english teacher write about being an english teacher story after story? might as well had written a memoir. not that it isn't interesting for a story or two. but if i wanted to read a novel, i'd have gotten one. that said, while i'm proud to have this book in my library, this gets 3 stars, with a hope that i can read more of ms. ostlund's work as it progresses in the future.

2 of 2 people found the following review helpful.
Don't Miss this Magnificent Read-it will delight you on all levels
By Robert L. Jaquay
"However can you understand the bigness of the world if you do not see the ocean?"-Ilsa Martin Lumpkin

Like a few of the other books I reviewed of late, I discovered Lori Outland's "The Bigness of the World" (The University of Georgia Press, 2009) as a result of its being nominated as a Lambda Literary Award finalist. This work also received the prestigious Flannery O'Connor Award for Short Fiction in 2008, which resulted in its publication by the University of Georgia Press.

Let me say it outright: this book is such a good read that I am a wee bit afraid that I might smother it with praise! For praise it deserves. Ms. Ostlund, who I will dub as a consummate wordsmith, has the ability to instantly draw you into each story with such precision and ease that you might actually think this is your world too. Let me explain. Every story feels like it is being told to you by someone you know, someone you've know or thought about, or better still, someone you think you'd like to know.

It is obvious that her experience as a teacher in Spain, Malaysia and New Mexico becomes the canvass on which she paints her simple and oftentimes touching pictures of people and how they transact life, not only with each other, but with the world at large.

The title story opens the book, and we are introduced to Martin and Veronica. He is ten, (a number that reappears often in the stories), and she is eleven, going on twelve. These two delightfully precocious children live in a household with parents who are busily engaged in activities that, to their children, seem "nebulous at best".

Because the parents are rarely home, the two children are put under the care of Ilsa Maria Lumpkin. The children adore her, and love her amusingly idiosyncratic ways. In one scene, we are told that Ilsa sings Chinese opera to them as. Their parents question this, and Martin and Veronica reveal that she really isn't singing in Chinese, "she just makes it up." Much to their dismay, Ilsa is let go for a silly indiscretion, and the children are now left, as they are suddenly old enough, to find more about these stranger called parent, and about Ilsa.

As this tale unfolds, and in the others that follow, we are introduced to many musings on words and how they are used, something that makes the book a continuously delicious read. We also discover the irony inherent in many of our dealings with others, and are given a variety of insights into what people would like their world to be, and how it really is.

How Martin and Veronica view their parents, and, in turn, the world at large sets the stage for an entire cast of characters that inhabit the ten other stories that follow. We get to meet other children, their teachers and parents, as well as just plain folks who happen to cross paths at the same point in time.

Another story, "Idyllic Little Bali", finds a group of Americans tourists in Yogyakarta, Indonesia gathered together, drinking, and telling each other about their "oddest brush with fame." A man named Martin joins them after he is stopped on the street, and he lets them know that "Ted Bundy used to be my parents' paperboy?", obviously unsure of their intent. It now becomes Martin's story, and what a story it is. Clearly still waters run deep with him as he slowly sheds his awkwardness with the others. As a result of a rather hastily made decision, and in his absence, Martin becomes their friend, but he never knows it.

I could continue, story by story, but why spoil the fun of discovery? With titles like, "Talking Fowl With My Father", "Nobody Walks To The Mennonites", and "The Children Beneath the Seat", you can only imagine what this talented, witty story teller will reveal next.

Humor abounds in these wonderful stories. I found myself laughing out loud on many occasions. There is also a considerable amount of discomfort to be found here as well, but it is a discomfort that comes from our knowing exactly how someone is feeling, even if that someone happens to be a child. We were all there once in one way or another, and it is this quality, I believe, that makes this particular collection of stories truly memorable.

Is this a Lesbian book? Not in the traditional sense. Clearly there is a lesbian sensibility present, and there are certainly many references to being so, some that are truly hilarious. I'd rather say that these slices of life are about us, whoever we are. What really matters is that this book is a rare find, one that I know you will love, so don't miss it.

Robert Jaquay,
Book Reviewer and host of the [...] Gay and Lesbian Book Talk
on blogtalkradio

5 of 6 people found the following review helpful.
What Beautiful Stories
By avidreader
Dorothy Allison's review is dead-on. You need these stories. This is a collection that shows us what is missing in so many of today's stories: compassion without sacrificing piercing insights and humor (I laughed out loud at the acronym-hating babysitter in the lead story); intelligence without sacrificing the demands of a good yarn; and modesty before the vast world without sacrificing sublime prose.

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Wednesday, August 1, 2012

[C215.Ebook] Ebook Free Localization in Clinical Neurology, by Paul W. Brazis

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Localization in Clinical Neurology, by Paul W. Brazis

  • Sales Rank: #8363303 in Books
  • Published on: 1985-04
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 429 pages

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